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Into the Fire: My Experience with Jabaloution aka (FireDevils868) for Trinidad Carnival 2026

Updated: 6 hours ago

When my friend first invited me to join the Jabaloution Jab Molassie group for Trinidad Carnival 2026, I had no idea what I was getting myself into. Nothing could have prepared me for the intensity, beauty, and cultural depth of this experience. It was truly one to remember.


Understanding the Meaning Behind the Jab Molassie

On the very first day, we were briefed on the history and cultural significance of the Jab Molassie. Before this experience, I, like many others, saw the Jab Molassie as people covered in oil, running wildly, screaming, and spitting fire. However, I quickly learned that it is far more than that.


Jab Molassie is deeply rooted in the history of resistance and emancipation. The character represents strength, defiance, and survival. It reflects the spirit of those who endured oppression and reclaimed their identity through performance and storytelling. Every movement, sound, and gesture carries meaning. It is not just a performance; it is an embodiment of history and cultural expression.


Practice for Jab Molassie : Facing the Fear

I remember thinking, “This is absolutely crazy,” when we were given milk to line our stomachs in case we accidentally swallowed the pitch oil. It was in that moment that the seriousness of the practice truly sank in.


Our instructors, Ifa Aluko and Vishala Gayasingh, were incredibly helpful, friendly, and professional. They gave clear instructions and demonstrations while creating a safe and welcoming environment. They ensured that we not only learned the techniques but also respected the culture behind the Jab Molassie.


We began with basic movements and sounds to bring our characters to life. One of my favorite parts was the screaming and wailing. It allowed me to create a voice for my character without using actual words. It felt powerful, almost like stepping outside of myself and becoming something entirely different.


Next came one of the most intimidating parts of the experience—spitting fire. The warm sensation of the flame against your hands and body makes your heart race. The thought of holding pitch oil in your mouth is both terrifying and thrilling. Thankfully, we practiced with water first, which helped build confidence before using pitch oil. This preparation made the process much easier.

Jab, Rochelle Vincent Fire Breathing: Photo Taken by Hummingbird Media Agency
Jab, Rochelle Vincent Fire Breathing: Photo Taken by Hummingbird Media Agency

Stepping onto the Stage: Traditional Mas Individuals Competition

One of the most unforgettable moments of my journey was performing in the Traditional Mas Individuals Competition. I remember it vividly. Everyone was getting painted, carefully preparing their bodies while building the energy and spirit of their characters. The atmosphere was intense and alive.


As we walked out fully painted and decorated, we were surrounded by people looking at us in complete awe. Cameras were everywhere. People stopped to take pictures and videos, while others reacted with fear and excitement. We became living embodiments of the Jab Molassie.


When the time came to cross the stage, I felt anxious. I questioned whether I would truly be able to portray the character as it was intended. However, the group was incredibly encouraging. Their support gave me the courage I needed to move forward.


Before I knew it, it was over.


My anxiety was replaced with pure joy and pride. I realized that through the group’s support, training, and encouragement, I had successfully stepped into the character and honored the Jab Molassie tradition.


Performing for the Community

We had two more performances after the competition. The first was in Plum Mitan, Manzanilla, for their Kiddies Carnival Parade. This experience showed me both the positive and challenging sides of portraying the Jab Molassie.


There were people who embraced us as part of Trinidad and Tobago’s rich cultural history. They welcomed us, took photos, and appreciated the performance. However, there were also those who did not understand or accept the character. This reminded me that while Jab Molassie is an important cultural symbol, not everyone fully understands its meaning.


This experience highlighted the importance of preserving and educating others about our cultural traditions.


Jouvert Morning: Becoming the Jab Molassie

Our final portrayal—and my absolute favorite—was on Jouvert morning, Carnival Monday. By this time, I had grown more confident and comfortable in my character.


We were painted completely in white, creating a striking and powerful presence. We danced and jumped alongside the bands, fully immersed in the energy of the moment. Everywhere we went, people stopped to watch, take pictures, and record videos.


This time, there was no fear. No hesitation. Only freedom, excitement, and pride.

I felt fully connected to the character, the group, and the culture we were representing.





More Than Just a Performance

Being part of Jabaloution (FireDevils868) group was more than just participating in Carnival. It was a transformative experience that taught me about courage, cultural identity, and the power of embodiment.


Jab Molassie is not just oil, paint, fire, or fear. It is history. It is resistance. It is freedom.


Jabaloution: Photo Taken by Hummingbird Media Agency
Jabaloution: Photo Taken by Hummingbird Media Agency

Most importantly, it is a living expression of Trinidad and Tobago’s culture, carried forward by those willing to step into the fire and become part of something greater than themselves.


This experience is one I will never forget. It gave me a deep respect for the art of the Jab Molassie, an art rooted in courage, discipline, and trust. It is not easy to perform, and it is certainly not easy to teach, and I am proud to have been part of preserving and carrying forward this powerful cultural tradition.



Written by Rochelle Vincent

Special Thanks to Jabaloution

1 Comment


marcusblake57
14 hours ago

Seeing the performance first hand and living it is an experience unlike any other and I can't help but feel present and performing whilst reading truly beautiful work can't wait for more articles from this author

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